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Sat. Apr. 20, 2024 7:30p.m.

Terrace Theater

Program

Sergio Alessandro Bušlje, artistic director

Javier Sanchez, Pablo Jaurena, and Heyni Solera, bandoneons

Adriana Salgado and Orlando Reyes, Guillermina Quiroga and Mariano Logiudice, and Carolina Jaurena and Andres Bravo, dancers

 

Julián Plaza
(1928-2003)
Danzarín
  • Carolina & Andres, dancers
Rosendo Mendizábal
(1868-1913)
El Entrerriano
  • Adriana & Orlando, dancers
Astor Piazzolla
(1921-1992)
Villeguita
Ricardo Brignolo
(1892-1954)
Chiqué (new)
  • Guillermina & Mariano, dancers
Osvaldo Pugliese
(1905-1995)
Negracha
R. Dadino / F. Brancatti
(1896-1967) / (1890-1980)
La guitarrera
  • Carolina & Andres, dancers
Pablo Jaurena
(1981- )
En Pampa y la vía
Ernesto Baffa / Osvaldo Berlingieri
(1932-2016) / (1928-2015)
B.B.
  • Adriana & Orlando, dancers
Rosita Melo
(1897-1981)
Desde el alma
  • Guillermina & Mariano, dancers
José “Pepe” Libertella
(1933-2004)
Paris Otoñal
 

Intermission

Pablo Jaurena
(1981- )
Borravino
Eduardo Pereyra
(1900-1973)
El africano
  • Guillermina & Mariano, dancers
Aníbal Troilo
(1914-1975)
Fechoría
  • Adriana & Orlando, dancers
Lorenzo Logatti
(1872-1961)
El irresistible
  • Carolina & Andres, dancers
Julio De Caro
(1899-1980)
Tierra querida
  • Adriana & Orlando, dancers
Pablo Jaurena
(1981- )
Fresco de mañana
Manuel Caballero
(1926-1967)
Este es el rey
  • Guillermina & Mariano, dancers
Agustín Bardi
(1884-1941)
Gallo Ciego
  • Carolina & Andres, dancers
Enrique Francini
(1916-1978)
Tema Otoñal
Gerardo Matos Rodriguez
(1897-1948)
La Cumparsita

This concert is made possible in part from funding from the D.C. Commission on the Arts and Humanities, and with the support of the Embassy of the Argentine Republic.

Patrons are requested to silence cell phones and other electronic devices during performances.

The taking of photographs and the use of recording equipment are not allowed in this venue.
Program order and artists are subject to change.

Terms and Conditions

All events and artists subject to change without prior notice.

All ticket prices are subject to change based on demand. Purchase early to lock in prices and the best seats!

This event is an external rental presented in coordination with the Kennedy Center Campus Rentals Office and is not produced by the Kennedy Center.

Meet the Artists

Pan American Symphony Orchestra

The Pan American Symphony Orchestra (PASO) was founded over three decades ago by Argentine conductor and musician, Sergio Alessandro Buslje, with the objective of bringing Latin American symphonic music to Washington, DC concert halls. Over the years, PASO has performed symphonic music originating from Latin America with an on-going concert series that showcases gifted Latin American musicians and soloists. With critical acclaim from the press and a loyal following from the public, PASO remains on the cutting edge of symphonic performances with newly commissioned works, such as Danzón no. 7, by contemporary Mexican composer, Arturo Marquez, who dedicated this beautiful piece to Maestro Buslje. The orchestra has performed music by Latin American women composers, and was the first orchestra in the Washington, DC area to perform the unusual, but beautifully melodic, tango-opera, Maria de Buenos Aires, by Astor Piazzolla. PASO has featured rarely performed works by composers from Argentina, Honduras, Mexico, Ecuador, Cuba, and Brazil. PASO is perhaps best-known for its tango performances. The only tango orchestra in the United States, PASO draws audiences from across the U.S. for its annual DC Tango Festival with its variety of tango-themed events and its signature finale tango show at the Kennedy Center.

Musicians

Violin
Holly Nelson, concertmaster
Valerie Heller
Christina Wan
Caroline Esko
Tetyana Royzman
Javier Godinez
Mary Thulson*
Alyssa Centanni
Teresa Eder
Alexandra Fisher
Susan Worrel
Wayman McCoy

Viola
Kristin Gomez*
Susan Russo
June Hahm

Cello
Michael Hermann*
Tim Thulson
Emily Doveala

Bass
Pete Ostle*

Piano
Sean Mahon

Bandoneon
Javier Sanchez
Pablo Jaurena
Heyni Solera

Sound Engineer
Jeff Gruber

*denotes principal

About Tango

What is it about tango that it has held its popularity across the globe for more than a century? Jorge Luis Borges, the famous Argentine writer, described tango as "feeling that is danced”. It is this feeling that transcends national boundaries and different languages to make tango the world's most popular dance. Before tango was considered a "classy" dance with its music played by the best symphonic orchestras in the world, tango music was heard only in the immigrant neighborhoods of Argentina and Uruguay, in bars as well as brothels. At that time, in the 1880's, it was not romantic music. The tone was often dark and bitter with lyrics of political dissent. Where tango originated is often disputed but we do know that in its earliest forms in the 1890's, it was a derivation of the Cuban dance, the Habanera. However, it was the people of the Rio de la Plata, with their distinctive speech cadences, that gave the music its pronounced patterns and rhythms -- a double beat, with a syncopated accent on the second. The bandoneón was introduced to the tango in the early 1900's, by the European immigrants from Italy and Spain. It made the music, up until then played with piano, harp, flute, and guitars, more portable, as the musicians performed primarily in bordellos.

Staff

Staff for the Terrace Theater

Theater Manager Xiomara Mercado*

Head Usher Randy Howes

Production Manager Rich Ching

Master Technicians Dustin Dunsmore and Susan Kelleher

Box Office Treasurer  Ron Payne

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*Represented by ATPAM, the Association of Theatrical Press Agents and Managers.

Steinway Piano Gallery is the exclusive area representative of Steinway & Sons and Boston pianos, the official pianos of the Kennedy Center.

iatse 868

The box office at the Kennedy Center is represented by I.A.T.S.E, Local #868.

iatse 22   iatse 772   iatse 798

The technicians at the Kennedy Center are represented by Local #22, Local #772,  and Local #798 I.A.T.S.E., AFL-CIO-CLC, the professional union of theatrical technicians.

Thank You To Our Supporters

DC Commission on the Arts and Humanities

Latin American Music Center, Catholic University of America

Embassy of the Republic of Argentina

Paula and Horacio Verdun

Dr. Linda Macri

Dr. Yvonne Lai

Maureen Dunn

Hon. Eric Tijerina

Claudia Tordini

Jose Francisco de Leon

June Hahm

LeeAnn Rees

Eloise Hellyer

Robert Nussbaum

Miguel Cordova

Denise Vanison

Ellen Bass and Michael Farrell

Rafael Inoa

Dr. Maria Dufau Catt

Hans and Anita Amhrein

Henry Sienkiewicz

Gisela Josenhas

Anne Jones

Michael Spatola

Shalev Weinstein

William Spieler

James Schenkenberg

Eileen Lange

Dr. Elaine Kelley

Richard Spagna

Sandra Scioville

Ruth and Robert Feist

Peter Wan

Roger LeBoeuf

Kristin Snyder

Irina Zabell

Blanca Cedillas

Manuel Lisandro Knight

This concert is made possible in part from funding from the DC Commission on the Arts and Humanities, and with the support of the Embassies of Argentina and Uruguay.

Volunteers 

Diane Nielsen 

Petra Debelack 

Maureen Carrington 

Ana Sofia Girarte 

Clara Blomberg

Claudia Salvador

Corporate Supporters

Bellhop

Zen Business

Restoration 1 of Washington, DC

Jaklitsch Law Group