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In 2013, she was appointed as an honorary ambassador for the PyeongChang 2018 Olympics. Transitioning to her role as the Artistic Director at the Korean National Ballet in 2014, she has continued to shape the landscape of ballet in Korea. Notably, in 2022, she served as the principal speaker for International Dance Day. Kang's achievements have been recognized with honors and awards throughout her career, including the Prix de Lausanne scholarship in 1985, the Prix Benois de la Danse for Best Female Dancer in 1999, and the Bogwan Order of Cultural Merit from Republic of Korea, also in 1999. She has received recognition from various organizations and foundations, including the Ho-Am Foundation, the Ministry of Culture, Sports and Tourism of Korea, and the Korean-German Society, among others. Beyond her own performances, Kang has served as a jury member in several prestigious international dance competitions, including the Prix de Lausanne and the Seoul International Dance Competition. In 2013, she penned her autobiography, "A Passionate Heart Takes a Long Breath," followed by "Every Step I Take Is My Own" in 2017. Her influence extends beyond the stage, with the German Orchid Society naming a brand-new orchid after her in 1998. Additionally, she was invited to participate in the Fourth St. Petersburg International Cultural Forum in 2015, further solidifying her presence and influence in the world of ballet and the arts. In 1985, she graduated from the Académie de Danse Princesse Grace in Monte Carlo, Monaco, and in 2016, she was honored with an honorary doctorate degree from the Department of Dance at Sookmyung Women’s University in Seoul, Republic of Korea.

Seo joined ABT Studio Company in 2004, became an apprentice with the main Company in May 2005, and joined the corps de ballet in March 2006.  She was promoted to Soloist in August 2010 and to Principal Dancer in July 2012. Her repertoire with the Company includes Terpsichore and Polyhymnia in Apollo, Nikiya, Gamzatti, a Lead D'Jampe, and a Shade in La Bayadère, Cinderella in Frederick Ashton's Cinderella, Twig in James Kudelka's Cinderella, Concerto pas de deux, Prayer in Coppélia, Medora in Le Corsaire, Depuis le Jour, Kitri, Mercedes, the Dryad Queen, and a flower girl in Don Quixote, The Dying Swan, Glove Seller in Gaîté Parisienne, Giselle and Zulma in Giselle, Queen of Shemakahn in the Golden Cockerel, Pierrette in Alexei Ratmansky's Harlequinade, Blanche Ingram in Jane Eyre, Caroline in Jardin aux Lilas, Olympia in Lady of the Camellias, Rosaura in Like Water for Chocolate, the title role in Manon, Natalia Petrovna in A Month in the Country, Clara, the Princess and one of the Nutcracker's Sisters in Ratmansky's The Nutcracker, Callirhoe in Of Love and Rage, Tatiana in Onegin, Natalia in On the Dnipro, Other Dances, The Siren in Prodigal Son, Juliet in Romeo and Juliet, The Spirit of the Corn in The Seasons, Princess Aurora, the Lilac Fairy, the Fairy of Sincerity, and Princess Florine in The Sleeping Beauty, Princess Aurora in Ratmansky's The Sleeping Beauty, Odette-Odile, the pas de trois, the Polish Princess, and a big swan in Swan Lake, the Sylph in La Sylphide, Prelude in Les Sylphides, Sylvia and Ceres in Sylvia, Thaïs Pas de Deux, Princess Tea Flower in Whipped Cream, leading roles in The Brahms-Haydn Variations, Chamber Symphony, Dark Elegies, The Leaves Are Fading, Monotones II, Mozartiana, Piano Concerto No. 1, Raymonda Divertissements, Seven Sonatas, Serenade after Plato's Symposium, Thirteen Diversions, A Time There Was, and Valse Fantaisie, and featured roles in Ballo della Regina, Birthday Offering, Drink to Me Only With Thine Eyes, Duets, From Here On Out, Petite Mort, Overgrown Path, and Sinfonietta.  She created Frost in The Seasons and leading roles in AFTERITE, Garden Blue, I Feel The Earth Move, and With a Chance of Rain. Seo has appeared as a guest artist with the Mariinsky Ballet dancing the title role in Giselle and Princess Aurora in The Sleeping Beauty.

Upon graduating from The Royal Ballet School with honors, he received, for the second year, the Dame Ruth Railton Award for excellence in dance. Stearns joined American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005, and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011. Stearns repertory with the Company includes The Man in AfterEffect, The Awakening Pas de Deux, Solor in La Bayadère, The Ballet Dancer in The Bright Stream, a featured role in Brief Fling, Her Prince Charming in Cinderella, Concerto pas de deux, Conrad in Le Corsaire, Daphnis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, a leading role in Études, Second Sailor in Fancy Free, Colas in La Fille mal gardée, Kaschei in Firebird, Baron in Gaîté Parisienne, Albrecht in Giselle, Astrologer in The Golden Cockerel, Grand Pas Classique, Her Lover in Jardin aux Lilas, Edward Rochester in Jane Eyre, Armand Duval in Lady of the Camellias, Let Me Sing Forevermore, Dr. John Brown in Like Water for Chocolate, Des Grieux in Manon, Beliaev in A Month in the Country, His Friend in The Moor’s Pavane, the Nutcracker Prince in Alexei Ratmansky’s The Nutcracker, Sergiy in On the Dnipro, Onegin in Onegin, Iago and a Carnival Dancer in Othello, Other Dances, Man From the House Opposite in Pillar of Fire, Romeo and Paris in Romeo and Juliet, the Terrestrial in Shadowplay, Prince Désiré, the Celtic Prince, and a Fairy Knight in The Sleeping Beauty, Prince Désiré in Ratmansky’s The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, James in La Sylphide, the Poet in Les Sylphides, Some Assembly Required, Orion and Apollo in Sylvia, Prospero in The Tempest, Prince Coffee in Whipped Cream, leading roles in Allegro Brillante, The Brahms-Haydn Variations, Duo Concertant, Études, Everything Doesn’t Happen at Once, The Leaves Are Fading, Mozartiana, Monotones II, Rabbit and Rogue, Raymonda Divertissements, Symphony in C, Theme and Variations, Thirteen Diversions, and With a Chance of Rain, and featured roles in Citizen, Drink to Me Only With Thine Eyes, Duets, In the Upper Room, Overgrown Path, and Petite Mort. Stearns created Mithridates in Of Love and Rage, leading roles in AFTERITE, I Feel The Earth Move, Her Notes, Piano Concerto No. 1, Single Eye, A Time There Was, and ZigZag, and featured roles in From Here On Out, One of Three, and Private Light. Stearns won the 2009 Erik Bruhn Prize for best male dancer.

Lee is a distinguished recipient of The Korea Ballet Association's Prima Ballerina Award and New Artist Award; Korea Ballet Competition's Senior Silver Medal and Prima Ballerina Award; Varna Ballet Competition's Junior Bronze Medal; Shanghai Ballet Competition's Junior Silver Medal; Seoul International Ballet Competition's Grand Prix Junior Gold Medal and Vaganova Prix International Competition's Elegance Award. Lee has danced diverse repertoire including leading roles in The Taming of the Shrew (Cranko), Giselle, Swan Lake, Don Quixote, La Bayadère, Spartacus, Raymonda, L'Arlésienne, The Nutcracker, The Seventh Symphony, Prince Ho Dong, Holberg Pas de deux, Tchaicovsky and Poise.

He has competed in Italy, South Africa, Mexico, and Cuba, obtaining awards in many of these events, including a silver medal in the contest of the International Meeting of Academies for the Teaching of Ballet in 2014 and a gold medal for contemporary ballet performing Innovation in South Africa in 2016. In 2014 he became a company member of Ballet Nacional de Cuba, becoming a first soloist in 2016. He performed in the world premiere of Annabelle Lopez-Ochoa's Oscurio, as well as her ballet Celeste. His repertoire includes Giselle, Swan Lake, Nutcracker, Don Quixote, Coppélia, and other other ballets by noteable Cuban choreographers. Martínez is now a company member of The Washington Ballet.