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National Symphony Orchestra

Max Richter

with the American Contemporary Music Ensemble performing The Blue Notebooks and In A Landscape

Concert Hall

Max Richter is one of the most acclaimed composers of his time. His fusion of classical technique and electronic technology, heard across genre-defying solo albums and countless scores for film, dance, art, and fashion, has won him legions of fans around the world and blazed a trail for a generation of musicians. Please note: the NSO does not perform on this program.

Fri. May 2, 2025 8p.m.

  • Genre

    Classical Music

  • Price Range

    $39.00 – $114.00

  • Runtime

    TBA

  • Ticket Limit

    4

  • Season Sponsor

    AARPAARP

Program

American Contemporary Music Ensemble (ACME)
Clarice Jensen, cello & artistic director
Ben Russell & Laura Lutzke, violins
Kyle Miller, viola
Claire Bryant, cello

Max Richter is one of the most acclaimed composers of his time. His fusion of classical technique and electronic technology, heard across genre-defying solo albums and countless scores for film, dance, art and fashion, has won him legions of fans around the world and blazed a trail for a generation of musicians.

His ninth solo album—the first to be written and recorded at his serene new studio in rural Oxfordshire—is a fleeting self-portrait of a musician in constant motion. In A Landscape is a record about “reconciling polarities,” as Richter puts it, bringing together the electronic and the acoustic, the human and the natural world, the big questions of life, and the quiet pleasures of living.

Shifting focus to Richter’s immediate surroundings, In A Landscape marks out a psychic space in which to meditate on the present while recognizing a lifetime of artistic influence, from Bach and Purcell to the poetry of Keats, Wordsworth, and Anne Carson. “It’s me having a look around, trying to examine where I'm at,” he suggests, “like a memoir of the present moment.”

From its darkly enveloping prelude (“They Will Shade Us With Their Wings”) to the somber elaboration of 17th century English composer John Eccles (“Love Song”), the album deepens Richter’s lifelong search for both “emotional directness and beautifully made things”. Luminous piano whorls (“A Colour Field”) and pensive electronic clouds (“Only Silent Words”) bring opposing energies together with the lightest touch: “The music feels very simple, but nothing is there by chance; all the notes are where I very carefully placed them.”

After spending many years grappling with big ideas and thorny social and political questions, the making of In A Landscape has opened up another greener world for Richter. Making music remains, above all, “a way to make a kind of alternate reality,” a constructed world “where everything is in its place.”

Please note: the NSO does not perform on this program.

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