Writing Fighting Words
In November 1861, a woman named Julia Ward Howe and her husband visited Washington, D.C. While there, Howe, a published poet, heard Union troops belting out a well-known marching song called “John Brown’s Body,” after the famous abolitionist, John Brown. A preacher standing with Howe encouraged her to write new lyrics to the tune.
“I replied that I had often wished to do so,” Howe later wrote.
I… awoke the next morning in the gray of the early dawn, and to my astonishment found that the wished-for lines were arranging themselves in my brain. I lay quite still until the last verse had completed itself in my thoughts, then hastily arose, saying to myself, I shall lose this if I don’t write it down immediately. I… began to scrawl the lines almost without looking…. Having completed this, I lay down again and fell asleep, but not before feeling that something of importance had happened to me.”
That “something of importance” proved to be the words to the “Battle Hymn of the Republic.” In February 1862, she sold her poem to the Atlantic Monthly, a well-known magazine, for five dollars.
The new song spread quickly through the Union armies and was adopted by Union supporters who wanted to teach the southern rebels a lesson. (Oddly, it had been a southerner named William Steffe who had written the original music.) Howe’s version was packed with Biblical imagery and phrasing.
Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.
(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory hallelujah!
His truth is marching on.
Howe took dead aim at slavery in her lyrics. She and her husband were strong anti-slavery activists, called abolitionists. Included in one verse of the hymn were the words “let us die to make men free”—to fight to end slavery, in other words. Howe’s new words also angered southerners. Not only did the song sing for an end to slavery, this “hymn”—a holy, church song—claimed that God was on the North’s side.