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  • Media Arts
  • Audio Production
  • Jobs in the Arts
  • Television, Film, & Radio

The Music of Sound

This audio series explores different types of sound and music and how they enhance films and commercials.

Lesson Content

Listening Strategies

As you listen, stay focused on your purpose for listening. Find out how composers create mood or emphasis in films using sound music.

Before you get started, think of what you already know about exciting sounds and music. Keep this in mind as you listen to the series.

As you listen, compare and contrast the ways in which composers can transition audiences from one film scene to another.

As you listen, compare and contrast the ways in which sound designers can influence what the audions thinks about what they see.

As you listen, stop the audio track now and then to sum up what you have learned.

Telling Stories with Sound - The Sounds of Shark Week.png

The Sounds of Shark Week

In this episode, meet Sound Designer and Producer Cheryl Ottenritter, and listen as she builds compelling promos for Shark Week and the Military Channel, sound by sound. Cheryl also discusses how her background as a musician helps her collaborations with soundtrack composers, and explains what does a sound designer does when what is on screen makes no sound of its own.

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Creating Music for Documentaries

Meet Documentary Composer Lenny Williams, a classically trained musician who is as at home in the pit orchestra of the Kennedy Center as he is in a jazz club with DC go-go legend Chuck Brown. Listen as Lenny scores two documentary television scenes, and learn the musical difference between a lion chase and a jellyfish attack!

Think About

Comprehension

  • How do composers create a dramatic moment for listeners?
  • What type of music is often used to score science documentaries?
  • Where do sound designers get the sounds they use?

Critical Thinking

  • What are some instruments or sounds that you think are especially scary or disconcerting? Why do you think they are scary?
  • Why is it difficult to compose music that doesn’t make listeners feel anything?
  • How can sound influence what you think about what you see in a commercial?

Reflection: Quiz Yourself!

  • What is an emotionally neutral scene in a film and how do composers score it?
  • What kind of music and instruments would be used to score a predatory scene in a documentary?
  • What kinds of sounds help the visual images tell a story?

The Fundamentals of Sound in Post Production

The Fundamentals of Sound in Post Production

The Fundamental Elements of Film Music

The Fundamental Elements of Film Music

How Pixar uses Music to make you Cry

How Pixar uses Music to make you Cry

How to Make Music Sound Scary

How to Make Music Sound Scary

How the Music in Black Panther Tells a Story

How the Music in Black Panther Tells a Story

For the Educator

This audio series explores different types of sound and music and how they enhance films and commercials. It is an excellent series for arts students and musicians. The audio series is suitable for both group and individual work.

Instructional Strategies

  • This audio series lends itself to large-group or individual listening as well as to both individual and group research.
  • Ask students to list the scariest movies they’ve seen and then to describe the sound effects music in the scariest scenes. If possible, download it from the internet.
  • Familiarize students with the effective sound effects and suspenseful music from films such as Star WarsJaws, Raiders of the Lost Ark and Psycho. An excellent soundboard is available at 

Play clips of different scary instrumental music. Ask students to sketch what they are hearing. Have them choose one of their quick sketches to expand upon.

Have students suggest common items that could be used to create sound effects. Have them demonstrate how the sounds could be used to enhance a short video.

Show students a scene from a documentary like the one described in the audio clip. Ask them to create a brief score for the scene if they play an instrument or, if they don’t play an instrument, have students choose a sound clip or excerpt from a piece of music. Have some students create sound effects (footsteps, etc). Have students create different moods using sound music (e.g.: suspenseful, scary, happy).

If you have moviemaking software available such as iMovie, have small groups of students make short videos and then score them using the different audio clips and sound effects available in the program or using music the students have available to them.

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  • Writer

    Daniella Garran

  • Audio Producers

    David Furst
    RichardPaul

  • Producer

    Kenny Neal

  • Updated

    November 6, 2019

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Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

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Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.