Media The Skeleton of a Scary Story
What gives a scary story its boo factor? Learn about the tricks you can use to rattle readers.
“I want to make a movie about zombies,” my 10-year-old Spencer announces while I’m making dinner.
My two sons have been making short documentaries about their daily lives with our digital camera. I’ve encouraged them because they’re learning about the filmmaking and storytelling. Spencer’s idea for a full-on science fiction movie, however, is new. “Daddy can be the zombie. He can dress in rags, and we can make his eyes glow and kind of float out in front of him.”
“Hmmm,” I mumble, neither encouraging nor discouraging. As I dip the chicken breasts in breadcrumbs, I wonder how we would make Daddy into a zombie, not to mention how we would create floating, glowing eyeballs. I see costume making and several retakes of special effects. Moreover, I see Daddy and Mommy editing the epic long into the night, after the children have lost interest and fallen asleep. There is a part of me that would indulge them in this. But it is the middle of the week, and there simply isn’t the time.
I don’t want Spencer to lose the muse, however. “What about making it into a radio play?” I suggest. I figure this way, we wouldn’t have to create any special effects or elaborate sets; we would simply have to write the story and read it into a microphone. As a matter of fact, “we” don’t have to do much at all. The children could do most of it themselves.
After I go online and dig up some quick (below), Spencer and his six-year-old brother, Murphy, are excited about digging in. They’re particularly thrilled about making sound effects, especially after their father shows them how twisting a plastic bottle can sound like crushing bones. (I think he retrieves this little trick from his childhood days.)
The kids quickly withdraw to their bedroom to write their script and I get enough time to finish the chicken. Half an hour later, they return with a script scrawled on notebook paper. When they read through it, the story is quite clear. I simply have to point out if a few people are speaking, they need to identify who each person is before they speak. Then, their dad and I help them brainstorm the sound effects.
There are no crushing bones in the piece, so the plastic bottle won’t be needed. But we do have to create the sounds of a body falling to the floor and of one character screaming. Spencer also insists on strumming his ukulele (which he has never learned to play properly) to provide background music.
We set the kids up in front of our computer to read into the microphone. Since Spencer is doing most of the narration and strumming, Murphy falls on the couch to create the sound of the falling body and runs into the bathroom to give a bloodcurdling scream from a distance. (I think Murphy particularly enjoys the scream because he would normally be taken to task for the earsplitting noise under other circumstances.) After several takes and some quick alterations to the script, we’re all happy with their radio play.
Because we have recorded it using the computer, we send it to the grandparents who declare it a masterpiece. Happy with praise, the boys plan even more complex spooky radio plays in the future.
What monsters have we wrought?
Before you hit the “record” button, here’s a list of things to do first:
Writer
Brett Paesel
Editor
Tiffany A. Bryant
Producer
Kenny Neal
Updated
October 16, 2019
What gives a scary story its boo factor? Learn about the tricks you can use to rattle readers.
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