èAV

Herbert “Whitey” White Dancer


An ex-prize fighter and former Savoy Ballroom bouncer, Herbert “Whitey” White exported the Lindy Hop from Harlem to dance halls around the world. After years of watching talented amateur dancers pack the Savoy night after night, Herbert “Whitey” White set out to recruit the best of them for a professional dance troupe.

The Lindy Hop—the reigning dance of the day—ignited cutthroat competition among its practitioners. At the Savoy Ballroom dance hall, for example, you wouldn’t dare venture out onto the small patch of floor known as “Cat’s Corner” unless you believed your skills to be among the best. Creativity and personal expression ruled this spot where elite dancers congregated.

Skimming the cream from this crop, White formed Whitey’s Lindy Hoppers in 1935. He began booking his dancers at public and private venues all over town. Parties thrown by rich white socialites were prized gigs.

Whitey’s Lindy Hoppers hit the big time when several members won the Lindy Hop division at the Harvest Moon Ball, New York City’s premier dance competition. The troupe translated this success into an international tour that took the dancers to Broadway and the Cotton Club in New York and the Moulin Rouge in Paris. This in turn led to film appearances, notably the Marx Brothers’ A Day at the Races. The troupe’s appearance in the movie Helzapoppin' introduced the Lindy Hop to the masses—and touched off a global dance sensation.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A black-and-white cropped photo of two dancers moving together.

He was inspired by the Lindy Hop dance craze.

A black-and-white photo of the exterior of Savoy Ballroom, including its marquee sign.

Whitey’s Lindy Hoppers plucked the best dancers from the Savoy Ballroom.

A black-and-white photo of dancer George Snowden. Among a group of people, he is smiling while clapping his hands.

Whitey and his dancers competed with George Snowden.

A black-and-white photo of the inside of Connie’s Inn. There are several round tables, each with four chairs, surrounding a centralized empty dance floor.

Whitey's Lindy Hoppers appeared in Hot Chocolates at Connie’s Inn.

A black-and-white photo of jazz vocalist and bandleader Cab Calloway. Cab is smiling while wearing a wide-brimmed hat.

The group performed with Cab Calloway in the revue Manhattan Merry-Go-Round.

harlem-line.jpg

Video Bio

Video Bio

Related Resources

Media Dancing to Different Rules

They were rebels, they were American, and they dared to be different: the makers of modern dance.

  • Dance
  • Contemporary Dance
  • Choreographers
  • Women in the Arts

Media Alvin Ailey + Revelations

Find out how Alvin Ailey explored themes of African American heritage and culture through dance.

  • Dance
  • Contemporary Dance
  • Choreographers
  • African-American History

Media Music as Dance's Muse

See how four choreographers (Alvin Ailey, Robert Battle, Larry Keigwin, and Mark Morris) use music in different ways in their works.

  • Music
  • Dance
  • Contemporary Dance
  • Choreographers

Media Five(ish) Minute Dance Lessons: Swing Dance

Learn the basics of swing dance, called East Coast Swing; take it up a notch with the Charleston; and if you're really swingin' after that, you can learn the most advanced swing dance, the Lindy Hop.

  • Dance
  • Jazz & Blues
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.