èAV

George “Shorty George” Snowden Dancer


Known for his comically intricate footwork, George Snowden reigned as the top dancer at the Savoy Ballroom from its opening in 1927 until the mid-1930s.

His frantic, improvisational dance style brought him immense popularity—as well as the title “King of the Savoy.”

Snowden’s small stature (he was barely five feet tall) was the genesis for that not-too-original moniker, “Shorty George.” His signature move was to bend his knees and swing them from side to side, exaggerating the fact that he was close to the floor. Big-band pioneer Count Basie honored Snowden’s distinctive style of dance with the tune “Shorty George.”

Snowden formed a dance troupe called the “Shorty George Trio,” which performed at the Cotton Club, Smalls’ Paradise, and other music meccas throughout Harlem. Snowden’s sudden leap in professional status inspired other dancers to organize troupes of their own, including Whitey’s Lindy Hoppers, the popular group credited to popularizing swing dance in the 1930s.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A black-and-white photo of drummer Chick Webb. He wears a dark suit and bow tie while holding a pair of drumsticks.

Like drummer Chick Webb, he was called the “King of Savoy.”

A black-and-white photo of the exterior of Savoy Ballroom, including its marquee sign.

He danced regularly at the Savoy Ballroom, the top dance venue of its time.

A black-and-white cropped photo of two dancers moving together.

He is credited with naming and popularizing the Lindy Hop.

A black-and-white photo of dancer Herbert “Whitey” White.

His dancing sparked the formation of troupes like Herbert White’s Lindy Hoppers.

harlem-line.jpg

Video Bio

Video Bio

Related Resources

Media Dancing to Different Rules

They were rebels, they were American, and they dared to be different: the makers of modern dance.

  • Dance
  • Contemporary Dance
  • Choreographers
  • Women in the Arts

Media Alvin Ailey + Revelations

Find out how Alvin Ailey explored themes of African American heritage and culture through dance.

  • Dance
  • Contemporary Dance
  • Choreographers
  • African-American History

Media Music as Dance's Muse

See how four choreographers (Alvin Ailey, Robert Battle, Larry Keigwin, and Mark Morris) use music in different ways in their works.

  • Music
  • Dance
  • Contemporary Dance
  • Choreographers

Media Five(ish) Minute Dance Lessons: Swing Dance

Learn the basics of swing dance, called East Coast Swing; take it up a notch with the Charleston; and if you're really swingin' after that, you can learn the most advanced swing dance, the Lindy Hop.

  • Dance
  • Jazz & Blues
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.png                email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.