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Augusta Savage Sculptor


Determined from childhood to become a sculptor, Augusta Savage moved to New York City in the early 1920s to study at Cooper Union’s School of Art. Her talent as an artist blossomed while at school and she received a commission to fashion a portrait bust of scholar W. E. B. Du Bois. She would sculpt likenesses of many other African American leaders, among them Black nationalist and entrepreneur Marcus Garvey.

In 1924, Savage sculpted a plaster bust of her nephew, Ellis Ford, that is widely regarded as her finest work (below). The bust, entitled Gamin (French for "street urchin"), won Savage a Julius Rosenwald Fellowship—and with it a year’s study in Paris.

An image of a brown plaster bust of sculptor Augusta Savage’s nephew, Ellis Ford. The bust portrays a boy wearing a collared top and a newsboy cap. The bust rests against a red satin backdrop.Augusta Savage, Gamin, ca. 1929, painted plaster, 9 x 5 3⁄4 x 4 3⁄8 in. (22.9 x 14.7 x 11.2 cm.), Smithsonian American Art Museum, Gift of Benjamin and Olya Margolin, 1988.57

Upon her return to Harlem, Savage began teaching aspiring artists. In 1932, she established the Savage Studio of Arts and Crafts, an arts-education center for adults. She later became the first director of Harlem’s Community Arts Center. Funded by the Works Progress Administration (WPA), the center invited African Americans to learn about their culture through the study of fine arts.

In 1939, Savage was commissioned to create a sculpture for the New York World’s Fair. Titled The Harp, the work was strongly influenced by James Weldon Johnson’s 1900 song, “Lift Every Voice and Sing.”

Always intensely involved in the Harlem arts community, Savage was a longtime member of the “306 Group”—so named for the art studio at 306 West 141st Street, where Savage exchanged techniques and ideas with Black artists such as Charles Alston, Romare Bearden, Jacob Lawrence, and Morgan and Marvin Smith.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A black-and-write image of scholar, novelist, essayist, and editor W. E. B. Du Bois.

Savage created a sculpture of W. E. B. Du Bois.

A black-and-white photo of writer James Weldon Johnson.

The James W. Johnson song, “Lift Every Voice and Sing,” inspired her sculpture, The Harp.

A black-and-white photo of composer William G. Still.

Like composer William G. Still, she produced work for the 1939 New York World’s Fair.

An image of cursive writing on tan paper.

She received an award from the Harmon Foundation in 1933.

A black-and-white photo of painter Palmer Hayden.

Both Savage and Palmer Hayden studied at Cooper Union art college in New York.

harlem-line.jpg

A black-and-white image of Augusta Savage working on a sculpture in her studio. Several human figures in uniform robes pose with their arms behind their backs in a line, mouths open in a singing gesture. A large, curved hand sculpture is on the left side of the photo.Augusta Savage in her studio with The Harp; based on “Lift Every Voice and Sing” by James Weldon Johnson.

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