Collection Classical Music
Meet great composers, explore the vast musical world of the orchestra, study the science behind the instruments, and discover how classical music is anything but boring.
Born
April 23, 1891
Died
March 5, 1953
Country
Ukraine, then Russia
Sergei Prokofiev was born in 1891 in Ukraine, then part of the Russian Empire. His mother, who had a keen musical sense, taught him to play the piano. By the age of five, he had written his first composition.
In 1904, Prokofiev moved to St. Petersburg and was accepted to the St. Petersburg Conservatory, the youngest student ever to be admitted. Disenchanted with the music of early Russian composers like Glinka and Mussorgsky, Prokofiev had an intense interest in new music, drawing inspiration from composers Reger and Scriabin.
Throughout his career, he would push the limits of his compositions while provoking and shocking listeners and critics. After a decade at the Conservatory, Prokofiev set off for the West in 1914 to learn more about the successes of Stravinsky, Diaghilev’s Ballet Russes, and to make a name for himself.
Following Czar Nicholas II’s overthrow, Prokofiev returned to Petrograd in the Spring of 1918, where he premiered his first symphonic piece, the Classical Symphony (1917). The work was warmly accepted. Prokofiev traveled to New York that same year, where he was regarded as a product of the emerging Bolshevik state; his playing was often described as barbaric.
In the early 1920s, he returned to Paris where he completed the ballet Le Pas d’Acier (1926) for Diaghilev. When Prokofiev returned to his homeland in 1927, he was celebrated as a Russian hero whose revolutionary music had conquered the West.
Shortly after, Prokofiev returned to Paris and created the ballet The Prodigal Son (1929) for Diaghilev. In 1932, Prokofiev was back in the Soviet Union; and, in 1936, he became a permanent Moscow resident. During that same year, he wrote Peter and the Wolf, an orchestral work
that introduces children to instruments in the orchestra.
The Soviet Union’s rapprochement in 1939 with Germany severed ties with the Allies, ending Prokofiev’s role as music ambassador abroad. After the German invasion of the Soviet Union in June 1941, Stalin ordered all senior cultural leaders out of Moscow—Prokofiev was among those named to leave Moscow for the Caucasus.
Despite harsh war conditions, Prokofiev remained prolific. Between 1940 and 1944, he completed his war sonatas for piano (No. 6, 7, 8) and wrote the sweeping opera War and Peace (1952) based on Tolstoy’s monumental novel. Prokofiev completed his Fifth Symphony in 1944 and his ballet, Cinderella, premiered on the Bolshoi stage in 1945.
With the onset of the Cold War, Stalin further isolated his people from the West, reaffirming the superiority of Communist orthodoxy in culture and ideology. In 1948, Prokofiev was denounced as too cosmopolitan and formalist. His final substantive work is his Symphony No. 7 (1952). Prokofiev passed away on March 5, 1953, on the same day as Stalin.
Meet great composers, explore the vast musical world of the orchestra, study the science behind the instruments, and discover how classical music is anything but boring.
Get inside the mind of a composer—from a popular song, to a Broadway musical, to a symphony, how does a composer write music?
You might see some of these instruments when you come to the Kennedy Center, watch a performance by your school band, or at any other concert you attend! Click the slides to learn more about some of the most frequently spotted instruments in each family.
Warning:Â this article contains excerpts from some of the saddest pieces of music ever written.
Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.
Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.