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Born in Halle, Germany, in 1685, George Frideric Handel was one of the greatest composers of the late baroque period (1700-1750).

Although his family had no musical distinction, his own musical talent manifested itself early. Before his tenth birthday, he began to receive formal music instruction. He began his first job at age 17 as a church organist in Halle. However, his musical inclinations lay elsewhere, and a year, later he moved to Hamburg, the operatic center of Germany. There, in 1704, he composed his first opera, Almira, which achieved great success.

His interest in opera took him next to Italy, the birthplace of operatic style, in 1706. Handel visited several major cities and he composed operas, oratorios, and many small secular cantatas while he traveled. He ended his visit to Italy with the spectacular success of his fifth opera, Agrippina (1709), in Venice. He returned to Hanover, Germany, for a few years, but took residence permanently in London in 1714 when the elector at Hanover, his former employer, became King George I of England.

By 1719, Handel had won the support of the King to start the Royal Academy of Music, which presented some of Handel’s greatest operas, including Radamisto (1720) and Giulio Cesare (1724). In the 1730s, Handel composed oratorios, including Athalia (1733) and Saul (1739), along with five concertos for organ, one for harp, and 12 concerti grossi. In 1742, Messiah was first performed in Dublin.

Handel continued composing oratorios at the rate of about two a year, including such masterworks as Samson (1743) and Solomon (1749), until 1751, when his eyesight began to fail. He died in London in 1759.

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Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

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