Cryptozoology & Tall Tales
How is folklore an expression of culture and traditions?
In this 3-5 lesson, students will write tall tales about cryptids from folkloric records. Students will explore the structure and history of tall tales. They will become cryptozoologists to research a tall tale about a North American cryptid and perform an interactive story, monologue, or news report.
Lesson Content
Learning Objectives
Students will:
Make text-to-self connections.
Apply reading comprehension strategies.
Analyze the story elements of a tall tale.
Analyze the similarities and differences between folkloric characters and creatures.
Write an informative text, explaining, persuading, or entertaining an audience.
Identify meanings of terms unique to literary language.
Present a report to the class in the form of a dramatic interactive story, monologue, or news report.
Respond to literature through writing and discussion.
Standards Alignment
Collaborate to determine how characters might move and speak to support the story and given circumstances in drama/theatre work.
Imagine how a character might move to support the story and given circumstances in a drama/theatre work.
Imagine how a character’s inner thoughts impact the story and given circumstances in a drama/ theatre work.
Collaborate with peers to revise, refine, and adapt ideas to fit the given parameters of a drama theatre work.
Revise and improve an improvised or scripted drama/theatre work through repetition and collaborative review.
Revise and improve an improvised or scripted drama/theatre work through repetition and self-review.
Practice drama/theatre work and share reflections individually and in small groups.
Share small-group drama/theatre work, with peers as audience.
Present drama/theatre work informally to an audience.
Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text.
Compare and contrast the themes, settings, and plots of stories written by the same author about the same or similar characters (e.g., in books from a series).
Determine a theme of a story, drama, or poem from details in the text; summarize the text.
Compare and contrast the treatment of similar themes and topics (e.g., opposition of good and evil) and patterns of events (e.g., the quest) in stories, myths, and traditional literature from different cultures.
Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.
Compare and contrast stories in the same genre (e.g., mysteries and adventure stories) on their approaches to similar themes and topics.
Recommended Student Materials
Editable Documents: Before sharing these resources with students, you must first save them to your Google account by opening them, and selecting “Make a copy” from the File menu. Check out Sharing Tips or Instructional Benefits when implementing Google Docs and Google Slides with students.
Tall Tales (Paul Bunyan, Pecos Bill, The Gum-Chewing Rattler, Miss Sally Ann and the Panther)
Cryptids (Bear Lake Monster, Bigfoot/Sasquatch, Chessie, Chupacabra, Kraken, Tahoe Tessie, Honey Island Swamp Monster, Mothman)
Teacher Background
Teachers should be familiar with American tall tales, cryptozoology, cryptids, and how to write an interactive story, monologue, or news report. Teachers should be cognizant that tall tales are an exaggerated and fictional representation of the American West settlement and experience of indigenous peoples. It is important to review a print or digital text prior to introducing a tall tale to your students. Like many classic American books, tall tale versions can contain problematic content such as implicit bias, racism, stereotyping, and a limited point of view.
Student Prerequisites
Students should be familiar with different types of stories, such as tall tales, folktales, and fairy tales.
Accessibility Notes
Adapt student handouts as needed and allow extra time for task completion. Digital, print, and audio versions of the recommended books might be available.
Engage
Make a t-chart on the board with the following words, “Tall Tales” and “Cryptozoology.” Ask students. What do you know about these words? What do you notice or wonder?
Activate student’s background knowledge about heroes and heroines. Ask students, to share an example from a family story, book, or movie. Explain to students that tall tales contain exaggerations about characters and events passed from generation to generation. Most heroes and heroines of tall tales have unknown origins. Sometimes they were real people who were known for unusual strength or courage, and their deeds became exaggerated over time as their exploits were retold. Eventually, the heroes and heroines became larger-than-life characters. In other cases, the tall tale characters never lived at all but were fictional characters who became more fantastic with each retelling of their stories.
Activate student’s background knowledge about mythical or legendary creatures. Ask students, to share an example from a family story, book, or movie. Explain to students that much like tall tales, cryptids made their way into stories and have been passed on from generation to generation. Cryptids are mythical aquatic, terrestrial, or winged creatures. An area of study called cryptozoology is a pseudoscience. Other pseudosciences include hunting ghosts or UFOs. Enthusiasts look to prove the rumored existence of these legendary animals from folklore records.
Introduce students to popular North American tall tale characters and cryptids. Tell students that folklore is usually passed down from generation to generation by word of mouth. Tall tale legends and fantastic cryptid creatures are among the stories carried forward by North American cultures. Display the to explore the images and resources. Have students share a character or creature they remember hearing from their own family or culture. List the stories, characters, or creatures on the t-chart.
Build
Introduce the three main elements of tall tales: character, setting, and hyperbole.
Character: Discuss with students the fact that the characters in tall tales differ from characters in other types of literature because their traits and feats are more exaggerated. Emphasize that the characters in tall tales often personify the traits most admired by the people who helped create the stories. Lumberjacks, for example, created the character of Paul Bunyan. These types of heroes and heroines were courageous, strong, honorable, thoughtful, and intelligent.
Setting: Setting is the time and place of the action of the story. The setting is more crucial in tall tales and folktales than it is in most fables. The setting in tall tales emerges from the specific experiences of people who lived in a particular time and place. For example, Paul Bunyan, a giant lumberjack, did great deeds in the huge forest of new land.
Hyperbole: American tall tales use hyperboles, an extreme exaggeration for emphasis. Generally, exaggeration creates a picture that is impossible and funny. Here is an example: One time snowflakes fell so large in Oregon that the ladies put handles on them and used them for umbrellas.
Have students read and explore the elements of a tall tale. Provide print or digital text resources for one or several tall tales (Paul Bunyan, Pecos Bill, The Gum-Chewing Rattler, Miss Sally Ann and the Panther). Note:Teachers should be cognizant that tall tales are an exaggerated and fictional representation of the American West settlement and experience of indigenous peoples. It is important to review a print or digital text prior to introducing a tall tale to your students. Like many classic American books, tall tale versions can contain problematic content such as implicit bias, racism, stereotyping, and a limited point of view.
Tell students to keep the following points in mind as they read the tall tales.
-Let the characters come alive in your mind.
-Visualize the setting. Picture where and when the events take place.
-As you read each hyperbole, visualize what is being described.
-As you read, notice the connection between events. Events can be related chronologically, but in tall tales, events are usually related in terms of cause and effect; that is, the first event is the cause of the second, and the second is the effect of the first.
-When you read a tall tale, ask yourself: What makes the most important character a hero or heroine?
After reading, distribute the handout. Have students analyze and record the elements of a tall tale.
Apply
Tell students they are going to apply elements of a tall tale to write an interactive story, monologue, or news story about a cryptid. Have students imagine they are cryptozoologists researching a fantastic and mysterious North American cryptid. Share the with students. Allow time for students to research and gather information (, , , , , , ).
Review the with students. Model for students how to apply story elements from tall tales (character, setting, and hyperbole) as well as their cryptid research to write an interactive story, monologue, or news report about a North American cryptid. Allow time for students to work independently or in small groups. Provide feedback and time for peer editing.
Invite students to perform their pieces for the class. After each performance, ask students to respond to the performance with comments and questions.
Reflect
Assess students’ knowledge with a written reflection. Ask students, How is folklore an expression of culture and traditions?
In this 3-5 lesson, students are introduced to the genre of American tall tales. Students will write an original tall tale set in contemporary times with a “larger-than-life” main character. Students then dramatize their tall tales for the class.
In this grade 3-5 lesson, students will analyze how ballet dancers in The Nutcracker act out the story/character with movement instead of words. Students will emotionally and physically tell a story through dance and pantomime.
Allie Tells Stories—and you’re invited to join in! In this video, theatre teaching artist Allison Lerman-Gluck leads an interactive story about a kid who finds a secret portal in their home. This story not only activates the imagination, but it also lets you participate as the storyteller and the characters. Don’t be afraid to speak up; Allie is counting on you to enrich the story with your creativity!
The spotlight is all on YOU as theater teaching artist Khaleshia Thorpe-Price breaks down the essentials of solo performance, or monologues. During this exploration of character, Khaleshia uses the example of the Big Bad Wolf from Little Red Riding Hood to demonstrate how you can step into your favorite story and become a writer, actor, and even costume designer in your one-person show!
Theater
Fiction & Creative Writing
Script & Playwriting
Kennedy Center Education Digital Learning
Eric Friedman Director, Digital Learning
Kenny Neal Manager, Digital Education Resources
Tiffany A. Bryant Manager, Operations and Audience Engagement
JoDee Scissors Content Specialist, Digital Learning
Connect with us!
Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.
Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.