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Two girls work on a landscape painting

  • Young Artists

Supporting Artistically Gifted Students
Appreciate, curate, and advocate.

Lesson Content

Who are artistically gifted students?

There is probably more we don't know about artistically gifted students than what we do know. That’s because we have a very small body of research and few identification processes and education programs for the artistically gifted. However, a broad definition of artistic giftedness was developed by the U.S. Department of Education in 1972, which identified those students as those "who give evidence of high achievement capability" and "who need services or activities not ordinarily provided by the school in order to fully develop those capabilities."

This definition is still in effect today in the Elementary and Secondary Education Act. What little is known about artistically gifted kids is underscored by the fact that in 1993 the U.S. Department of Education identified artistically gifted children and teens as an underserved population, along with students with disabilities and students whose first language is other than English.

What is artistic giftedness?

In academic literature and research, there are a number of definitions and models identifying artistic giftedness. One of the most influential has been Joseph Renzulli's "revolving door" model (1986). Renzulli maintains giftedness has three ingredients—task commitment, creativity, and above-average ability. Task commitment can also be described as motivation, perseverance, or hard work. Creativity is original thinking and the capacity to break free of accepted conventions. Above-average ability is the ability to successfully acquire a particular and specialized skill.

The Renzulli's model requires all of these elements to be present in a student, although not necessarily equally. One element may dominate and all the elements will change over time. A student's context—their family, school, community, and personality—will all impact the changes and growth in these three elements.

How can parents and teachers offer support?

Sandra I. Kay (2008) recommends parents and educators can take on three roles in supporting their artistically gifted students: 

  1. Be an appreciator. Find opportunities to enjoy the arts together or with others. It is crucial for artistically gifted students to have opportunities to see the work of more accomplished artists. Be sure to find opportunities to appreciate your student's own artistic endeavors. 
  2. Be a curator, nurture your student. Date your student's artwork to chart his/her artistic development. Archive programs and photographs from performances. Encourage them to keep a journal to record large and small milestones in their development as an artist. When you talk together, emphasize the process of making art and what was learned from that. 
  3. Be your student's advocate. Gifted education, particularly gifted education in the arts, is an increasingly rare offering. And the typical arts education offerings in schools are aimed at general enrichment of all students rather than the development of artistically gifted kids (Rader, 1993). Advocate for differentiation in arts education for high-ability students. Remember that giftedness in the arts is no less meaningful than academic giftedness. Seek out mentoring opportunities for your young artist. Professional artists can offer meaningful mentoring experiences to young gifted artists (Chin & Harrington, 2009).

Additionally, parents and teachers can help their students find and connect with other artistic peers, both in and out of school. After-school and summer programs help kids find like-minded peers. These relationships are necessary for social/emotional well-being as well as artistic growth.

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  • Writer

    Patti Saraniero

  • Producer

    Joanna McKee

  • Published

    September 11, 2019

  • Sources

Article What Do I Say?

For the young theater student, a teacher’s feedback can inspire or crush in a matter of minutes. Learn how to responsibly assess your student’s work.

  • Theater
  • Critique

Article Going Public

Here are the best and safest ways to share your student's work with the world!

  • Critique
  • Community

Article Art Critiques Made Easy

One-word answers and grunts don't count as student critiques of art. How to foster interesting and authentic discussion in the classroom.

  • Visual Arts
  • Critique

Lesson Guantanamera: A Poem and a Song

In this 9-12 lesson, students will research and analyze the famous Cuban folk song, “Guantanamera.” The song was made famous by Pete Seeger with lyrics from a poem by José Martí. They will draw comparisons between the artists and discover the revolutionary history shared by the two men.

  • Music
  • English & Literature
  • Grades 9-12
  • Poetry & Lyrics

Lesson Creation Myth Play Scripts

In this 9-12 lesson, students will explore different cultures’ supernatural explanations for human existence. They will make comparisons between creation myths then write an original creation myth play script to perform for an audience.

  • Grades 9-12
  • Script & Playwriting
  • Myths, Legends, & Folktales

Lesson Swing Your Partner: The Basics of Square Dancing

In this 3-5 lesson, students will be introduced to the history of square dancing and create a “Kids’ Guide to Square Dancing” media resource. They will learn some basic steps and formations to perform and teach to other children. 

  • Grades 3-5
  • Dance
  • Health & Physical Education
  • Social Studies & Civics
  • Folk Dance

Lesson Chinese New Year: Lion Dance Puppets

In this K-2 lesson, students will learn the history of the Chinese Lion Dance and create lion head puppets to perform in a parade. Students will learn about the traditional dance, the costumes that are worn, and the music that accompanies the dance performance.

  • Theater
  • Social Studies & Civics
  • Grades K-2
  • Holidays & Traditions
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

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Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

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