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  • Grades 9-12
  • Young Artists
  • Creativity
  • At Home

Supporting Your Young Artist: Adolescent Artists, Searching for Self
Encouraging the arts for 13-17 year-olds

Young artists at this age spend a lot of time asking one critical question, “Who am I?” As they wrestle with inquiries of independence and identity, the arts play an important role in their explorations.

Features of these ages:

Adolescence is accompanied by major physical changes until 16 or 17 years, when many teens reach physical adult maturity. Understanding who they are is one of the significant developmental tasks for teenagers. Their arts learning should reflect this by being personally relevant to the young artist. Interdependence is another important change for adolescents. Peers are central in a teen’s life. Building successful relationships with other teens and adults is essential. Abstract thinking emerges and the ability to think critically about artistic work.

The arts at this stage:

Dance

  • Teens who have studied dance for many years may be ready for a professional approach to training, particularly if they have professional career ambitions.
  • Adolescence is not too late to start. Newcomers to dance are physically maturing and are able to understand the art form’s techniques and aesthetics more quickly than in childhood.
  • Dance is good for teens. The physical activity of dance may have benefits for the adolescent brain and muscular systems beyond the enjoyment and artistry of dance.

Music

  • Participation in formal music ensembles is very beneficial musically and socially. It is common for teens to form long-lasting friendships in musical ensembles.
  • Serious music students will find both large and small ensembles offer opportunities for musical growth and social connections.
  • Informal musical groups (a.k.a. garage bands) form as teens develop enough skill and unique musical interests to perform with peers.
  • Boys’ voices experience major changes. This can increase self-consciousness and can curb boys’ participation in vocal music.
  • Much to parents’ relief, their teen musician becomes increasingly independent in practicing.

Theater

  • Teens are ready to be introduced to and take on a variety of roles and responsibilities in theater. More offstage production opportunities open up to them.
  • Attending professional theater builds teens’ understanding of “master” work and contributes to their abilities to analyze and evaluate.

Visual Arts

  • Adolescent artists find drawing the human form to be particularly compelling.
  • It is not uncommon that young teens abandon visual art when their intellectual expectations exceed their artistic capabilities. Positive reinforcement from adults can be influential in persevering.
  • With the onset of abstract thinking, teen artists readily move away from realism into more metaphorical work. The self is often the most compelling subject of artwork to an artist at this age.

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  • Writer

    Patti Saraniero

  • Editor

    Lisa Resnick

  • Producer

    Kenny Neal

  • Updated

    January 16, 2020

Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

JoDee Scissors 
Content Specialist, Digital Learning

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Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.