Acting & Storytelling
Family-friendly tips for acting out amazing stories
Our Story
It had been a long, tedious day and I was looking forward to dinner with my two boys. As my husband Pat and I settled in with them at the table, I said, “So, hit me with your big stories. What happened at school today?”
My ten-year-old, Spencer, shrugged amiably and replied, “Stuff.”
“Ok,” I said. “What kind of stuff? Bad stuff? Funny stuff?”
“That’s just what I say now when anyone asks.”
“That’s true, Mom,” my six-year-old, Murphy, piped in. “It’s cool to just say, ‘stuff’.”
Not when you start dating, I thought.
I knew that I could draw anecdotes out by firing a battery of specific questions at them like a congressional panel, but I was exhausted. Were a couple of juicy stories about their day too much to ask? On a deeper level, I also wondered if they actually knew how to pinpoint a story of what had happened to them and how to translate it into an entertaining tale.
“Okay,” I said, “what about acting out something you experienced today or imitating somebody you saw?”
The idea had simply popped into my head. Their father is an actor and he assumes the gestures of everyone he talks about, even the local grocery clerk. At first, the boys were befuddled, clearly stumped by the notion that they couldn’t accurately portray anyone. I was able to dispel these doubts by jumping in and offering my own poor impersonation of their father. After all, the point was simply to tell a good story. I did my rendition of Pat waking up in the morning. His inability to utter an intelligible word, make a fist, or recognize members of his own family for a full five minutes upon waking is legendary. The boys fell on top of each other in a fit of laughter and all I was really doing was bumping into furniture and grunting. Come to think of it, that is a pretty good imitation.
Inspired, both boys couldn’t wait to do one. The oldest, Spencer, acted out an elaborate story about a ‘Capture the Flag’ game. He began by playing the part of a classmate who had been so distracted that Spencer’s team kept scoring past him. As the story progressed, Spencer not only portrayed his friend, but assumed the parts of several other children. His characterizations weren’t clearly delineated, but the story became rich with detail and humor.
Murphy impersonated his Kindergarten teacher talking to his classmates. When Murphy (as Ms. Flores) talked to the class at large, his voice was calm and even-toned. When he talked to one student named Sarah, Murphy’s voice acquired a distinct clipped edge. It became clear that “Ms. Flores” was doing her best to contain a real frustration with Sarah, without ever boiling over. Murphy had observed and incorporated this detail into the story without really thinking about it.
Ever since that evening, impersonations have become a staple at dinnertime. Occasionally, one boy assumes a part in the other’s scenario making it more of a “scene.” I have to employ a little patience with the kids jumping out of their seats, but I’m thrilled that the children are learning to tell a terrific yarn while showing greater ease with performing.
I also (secretly) enjoy knowing a great deal more about Ms. Flores.
Make it Happen
- Find a time that’s somewhat open-ended. You don’t want to have to interrupt that special creative moment.
- Be prepared with a couple of impersonations yourself. Don’t worry if they’re good or not; children love impersonations of people they already know.
- Be prepared with some prompts:
“How does your soccer coach sound?” OR
“How did the birthday girl act when she was opening her presents?”
- Don’t worry about the accuracy of the impersonations. We’re not competing for an Oscar® here.
- When offering praise, concentrate on the details of the story that came through.
- Variation 1: Suggest that one of your other children play a part in the other’s scene.
- Variation 2: Tell your kids that they can add costumes and props.
- Variation 3: See if your children can guess who each other is pretending to be.
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Writer
Brett Paesel
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Editor
Lisa Resnick
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Producer
Kenny Neal
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Updated
January 16, 2020
Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.
Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; Wells Fargo; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
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